发售【北京】2019北京国际青年戏剧节 《勾引家日记》

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中文剧名:《勾引家日记》

英文剧名:《Forførerens Dagbog》

演出时间:11月15日-11月16日(19:30--21:00)11月17日(14:30--16:00)

演出地点:国话小剧场

演出时长:90分钟

票价:280元/150元/100元/50元

剧情简介(中英文):

出于审美性的“诱惑者”将女孩置于完全“自由”的境地下,精心设下步步程序使女孩焕发自身的美,而在二人情感达到最高点的一瞬,以“纵身一跃”解除束缚的方式将之封存至至美与永恒。“订婚”作为引向束缚以及关键的牵引之绳,同时又是自我解除的象征之物,审美藉此缰羁而被激发至女孩并未自知的境界,如同一种寓言。在今日语境下,二人共同翱翔结合的“词”与“义”都在发生重大变化,本剧多重视角下的当代解读将建立在2-3次的座谈基础上,并以声音、肢体、视觉的方式综合呈现。

The "seducer" puts the girl into a complete "free" situation and carefully formulates the next step procedure to rejuvenate her own beauty. Due to his perception of aestheticism, he ends the relationship with a symbolic “jump” in the moment when the emotions reach the highest point.

" Engagement" is the line that leads to the bondage and the key traction. At the same time, it is the symbol of self-disarming. The aesthetic fusion is stimulated to the girl's own context which build a space where make the "word" and "meaning" from the two undergoing major changes. The contemporary interpretation of the drama from multiple perspectives will be based on 2-3 sessions and will be presented in a sound, physical and visual way.

演职人员表(中英文):

导演:郜晓琴Gao Xiaoqin

改编:郜晓琴 京不特Jimbut

制作人:谢璨灿Cancan

舞台监督:冯巍Feng Wei 周旋Melody

舞美设计:施政Shi Zheng

灯光设计:原佳妮Yuan JiaNi

服装设计:陈晓栩 Betty Chen

影像导演:张学舟Zhang XuehZhou

剧照:丁咚Ding Dong

海报设计:郑邦谦Zheng BangQian

摄影:戴逸ED

演员:

周勇Bruce

黄志豪Zhihao

谭娴 String Frozen

谢榭Xie Xie

陈松Birdy Jump

陈可人Dorothy

张昊钰Stella Zhang

被访者:

仇毅辰Qiu YiChen

刘群Liu Qun

胡彬Alexandre

刘江涛Liu JiangTao

虞杰毅Yu JieYi

张榆欣Zoe

真真ZhenZhen

克丽斯塔Christa

导演介绍(中英文):

自由戏剧人,诗人,导演。毕业于复旦大学化学系。2010年获刘丽安诗歌奖。2004年与同好创建测不准戏剧机构Uncertainty Theatre,在环境剧场、诗歌剧场、真实剧场等方面进行探索。编剧、导演作品参加下河迷仓秋收戏剧节、上海当代戏剧节、北京青戏节剧本朗读单元、乌镇戏剧节嘉年华单元等。2017年与周勇、陈松共同创建虚室声音剧场实验小组C.V.V.T lab。2018年受邀参加丹麦CPH-stage’18戏剧节。

Free dramatist, poet, director. Graduated from the Chemistry Department of Fudan University. In 2010, she won the Liu Li'an Poetry Award. In 2004, he and Tong Hao created the Uncertainty Theatre, a theater institution, and explored environmental theaters, poetry theaters, and real theaters. Screenwriters and directors participated in the Xiahe Fancang Autumn Harvest Theatre Festival, the Shanghai Contemporary Theatre Festival, the Beijing Youth Opera Festival Script Reading Unit, and the Wuzhen Drama Festival Carnival Unit. In 2017, together with Zhou Yong and Chen Song, he created the virtual room sound theater experimental group C.V.V.T lab. In 2018, he was invited to participate in the Danish CPH-stage’18 Theatre Festival.

导演的话(中英文):2sa

在此人类即将赛博化的今天,爱欲何为?

克尔凯郭尔时期的《勾引家日记》以及《由此及彼》、《人生道路诸阶段》、《重复》似乎从各个侧面说明了爱欲与自我存在的若干真相,以及在此过程中的彼此照见与“跳过沟坎”。那“感官性的”、“精神性的”、“审美性的”以及“伦理性的”、“宗教性的”,在当代又是如何触及我们的日常和神性?探触一下古典时期、“前存在主义”时期乃至今日以及“近未来”的爱欲Eros,还可以保留一些原始人类纯有机体的思考与感知并将之储存为最后的回忆,或许是我排这部《勾引家日记soft版》的初衷,也希望大家一起在此回望并且触摸自身,重新焕发某些自己不曾发现的光彩。

What is the desire for love in today's human race? In the Kierkegaard period, the "Seduce Diary" and "The One and the Other", "The Stages of the Road of Life" and "Repeat" seem to explain the truths of eroticism and self-existence from various aspects, and in the process Seeing each other and "jumping the ditch". How do "sensory", "spiritual", "aesthetic" and "ethical" and "religious" touch our daily and divine nature in the contemporary era? Exploring Eros in the classical period, the "pre-existentialism" period and today and the "near future", you can also preserve the thinking and perception of some primitive human pure organisms and store them as the last memories. Perhaps I am arranging this. The original intention of the Department of "Seduce the Home Diary Soft Edition" is also hoped that everyone will look back and touch themselves and re-energize some glory that they have never discovered.

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